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Port Of Call - Bowmore Limited Edition 23 Year Old Port Matured Release

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From the far-flung climes of Tasmania, to the equally far-flung Islay (well, to some, anyway) and this week's major new release from one of the more refined smoky beasts on the Island - Bowmore.  To some, Bowmore lacks the sheer visceral, filthy bite of some of the other Islay distilleries, but to us, the recent new expressions, such as Tempest, have harnessed the ability to stay perfectly balanced on the tightrope which swings precariously above the peaty inferno below, that so many whiskies seem to succumb to.  Nothing wrong with falling off -  but to some palates, peated whisky is simply an unapproachable flavour. 

Bowmore's lighter, more floral style is slowly but surely capturing the attention of many (nearly) peat ready palates, as well as slaking the thirst of those who are suffering from P.F.S -  or Peat Fatigue Syndrome -  believe me -  it will hit all whisky drinkers (no matter how much they claim to love the smoky stuff) at some point in their drinking career.  

 Bowmore's latest release adds to the already heady mix of floral peat, characteristic Parma Violet tones and sweetness with the proposition of fortified wine.  This 23 year old from 1989 has been exclusively matured in port casks, which, if used to their fullest effect, can impart more than just a sweetness to the proceedings, pulling in richer, spicier and drier woody notes.  Get it wrong and the dominance of these crimson devils can easily overpower the spirit, rendering it a lost cause.  So will the Douro Valley's finest give this latest Bowmore an additional string to its bow, or fall into the camp of 'unsuccessful, but fun experiment'?  


Bowmore -23 year old Port Matured - 1989 - 12,000 bottles - 50.8% - RRP £380

Nose: Classic Bowmore notes off the bat: sea spray, a touch of iodine and a little Parma Violet, but with a surprisingly lively kick.  Next comes some richer notes of barbecue smoked meat, black pepper and ruby port, like a good marinade, not that you would consider ever using this to marinade anything... Water brings out a fruit gum note: fragrant, citrus and soft orchard fruits (plums and possibly a hint of nectarine) are also present. 

Palate: Sweet into savoury, into drying barbecue charcoal, then blasting off into Parma Violet world. It is distinctly Bowmore and has the elements of what Bowmore does best- surprise, yet comfort at the same time.  The influence of the port is there, giving a sweetness, but the character of the spirit comes from the fragrant top notes and the delicate smokiness, which intermingle with a woody dryness.  It's feisty too and with water, the subtleties start to come thru, with a little menthol developing, some citrus orange zest notes and a more refined smokiness.  

Finish: The smoke takes the driving seat again (a dry charcoal smoke), alongside a tanginess and a gentle return of the Parmas.  

Overall: Unmistakably Bowmore, the lineage is clear here between expressions like Tempest and, to a lesser extent, the heavier Maltman's Selection. This is full of character and a whisky of remarkable presence but the only quibble we have about it is the price. When you consider the Bowmore 25 year old is a good £120 cheaper (available for as little as £220 here) you'd have to be a serial Bowmore'ophile to hunt this one down.  




Holy Spirit? The Glenrothes Single Malt Scotch Whisky

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There are certain single malts which just seem to have a presence about them and in the UK, one of those is The Glenrothes.

When I was first exploring single malts, this was a distillery which intrigued me for one reason and one reason alone: the packaging.

Let’s not underestimate the importance of packaging when it comes to any product, but particularly when it comes to single malt whisky.

A lot of focus and attention is placed on packaging these days, and quite rightly so. We live in an age where visuals and design are important. Over the last twenty years or so, here in the UK we have been introduced to cut-price Scandi-style by IKEA, who singlehandedly raised the bar with regard to the visual side of furnishing our homes, going some way to help us all to think about purchasing items that are not only useful, but beautiful too.

A 1980's Scotch bottle
In this time, packaging in the drinks industry has come a long way. From the utilitarian bottles found on 1980’s supermarket shelves(which now hold a retro-love-in vibe, but at the time were hardly pushing the envelope of creativity) to today’s offerings, housed in anything from a mock-Viking longship headstock to a leather suitcase, have raised the bar and helped to premiumise a product made simply from barley, water and yeast.

There is a common trend these days at the higher end of the whisky market, where the packaging will be more reflective of the price and, to be fair, if one is paying a high price for an expensive bottle you’d want all the added value you can get. It is only a tiny minority who will tweet or blog about an ultra-premium whisky and note that they “wish a couple of zeros could be knocked off the price if only they’d sold it in a plastic bottle instead of a giant wooden box”. The majority of us and, most importantly, the consumers who actually buy these products like, want and appreciate a level of packaging to match the liquid and the price tag.

However, at the lower end of the market, it is hard for a producer to justify any kind of lavish packaging. This does not mean standards have dropped with recent releases such as Jack Daniel’s White Rabbit and the consistently brilliant Nikka From The Barrel (with updated box design) showing what can be done at the bottom end, when style and design are thoroughly thought through.

And it was the packaging of The Glenrothes which really made me take notice, a few years ago. Where everyone else was either forgoing a box, or placing their product in a standard carton, the good people behind The Glenrothes created a square cardboard wrap around a beautifully dumpy (somewhat like myself) bottle, which was a total departure from any other Scotch whisky at the time.

Since then, the packaging has been restrained a little, with standard bottles now coming in a square, thick cardboard carton but the liquid remains on a consistent high.

Produced at the Glenrothes distillery in the village of Rothes, Speyside (and not be confused with Glenrothes, the town between Edinburgh and Perth where the Diageo-owned Cameronbridge grain distillery sits, churning out vodka, gins and whisky), the site produces around 5.5 million litres a year. The new owners of The Glenrothes single malt whisky is London-based wine and spirits merchant, Berry Brothers and Rudd (with the actually distillery remaining in the hands of the former brand owners, Edrington) who are slowly releasing vintage stocks, as well as a series of new ‘reserves’.

Let’s kick off with a vintage, to set the pace:


The Glenrothes – Vintage 2001 (bottled 2013) – 43% abv – 70cl - RRP £45

Nose: Crisp ginger snap biscuits, a little fresh butter, some woody spice, a little fresh orange zest and a lighter bourbon sweetness. 

Palate:  Slightly sweetened tannic breakfast tea, toasted marshmallows, maple syrup and more citrus orange. There’s a sprightliness about this, but it isn’t too twitchy - just the right amount of youthful playfulness, mixed with a sweeter oaky wisdom.

Finish:  Lingering notes of lemon juice, butterscotch and a hint of spice.

Overall: A classic ‘Rothes in the styling department.  If you enjoy Speyside whiskies on the lighter side, this will please you greatly.

Next up is a first for The Glenrothes, with a trio of whiskies to be released exclusively into the Global Travel Retail market, which is undisputedly a highly prized market in its own right – and one, which is clearly bulging at the seams with new whisky releases.  

The Manse Brae collection covers a range of ages and styles, with the no age statement entry point, Manse Reserve (named after the imposing house which sits above The Glenrothes distillery) coming in at £33 and delivering some youthful spirit tones, alongside wafts of fresh vanilla pods, a little dry sherry spiciness and some sweetened coffee earthiness on the back palate.  Its elder brother (funnily enough called the Elders’ Reserve)  weighs in at £80 and although still a no age statement, apparently has a minimum age of 18 years behind it – delivering richer, bonfire toffee notes, some espresso coffee bitterness, leading into a blast of charred Seville orange zest across the tongue.  

However, the pick of this jet set travelling party is the Minster’s Reserve, weighing in at £115, we’re told it the youngest whisky in the mix is 21 years old (at the time of writing) but it carries a No Age Statement on the label.

The Glenrothes – Minister’s Reserve – Global Travel Retail only – 43% abv – 70cl - RRP £115

Nose: Well aged with blackcurrant, toffee apple and Battenberg cake. Some walnut and menthol tones.

Palate: A big, meaty hit of BBQ pork and buffalo wings, followed with a slice of oak, some vanilla and milk chocolate. Golden syrup hit the front of the palate with tropical fruits leaving a juicy-fruit nature at the back. Lemon and lime.

Finish: zesty, yet aged. There is a good element of upside down cake and some light spice.

Overall: Not quite the Holy Spirit, but I’ll pray for some more (if the Angles’ will leave it behind).


Okay, you should never judge a  book by its cover and in the same way you should never judge a whisky by its box. Or its age. Or its price. But this is good stuff. Enjoy.

Armed And Forewarned. The Rise Of Armagnac, Dear Drinkers.

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A little while ago, I wrote an article on the science behind the cocktail; How some bartenders were taking drinks to a spectacular new level, even breaking them down to a molecular state of flavour.   What this supposedly represents is a sea change in how we will view our beloved tipples in the future.  Our drinking culture has begun to operate at two very distinct tiers: one where mass consumption and low quality homogenised goods exist to provide cheap thrills. The antithesis being bespoke, well crafted and in some cases, over engineered drinks, designed to slake the thirst of a more knowing and well educated palate.  In short, it’s the ‘Con Vivant’ to the ‘Bon Vivant’.  


Looking at many historical views on future culture (take Anthony Burgess’ ‘A Clockwork Orange’ for instance) and we see a grim outlook of what might occur if our drinking habits deteriorate too far into the land of Sci-Fi and are taken purely for kicks, rather than pleasure. Chemically enhanced milk is not only consumed by Alex and his gang of Droogs, but the ‘Sophistos’ dressed in dinner jackets too, suggesting that every layer of society had succumbed to such a dumbing down of standards.   

But every once in a while, something comes along which reassures me that all will be well with our future drinking habits - so long as we maintain our respect for the artisan, the traditionalist and the mantra of if it ain’t broke, don’t fix it.

One spirit, which exemplifies such traditions is the brandy produced in the small region of Armagnac to the South West of France. As a spirit, it is so often over shadowed by its more well-known sibling, Cognac. But any similarities are (grape) skin deep and making a comparison between the two would be like comparing Irish whiskey to Scotch. Indeed, Armagnac is actually the oldest brandy to be produced in France and although both spirits are derived from similar grape varieties (with Armagnac principally favouring a strain unique to the region called Baco) the production processes are markedly different. It is here where Armagnac comes into its own as a brandy of exceptional complexity, quality and balance.

Tracing its roots back to the 14th century, it is fabled that Armagnac had medicinal properties and a document written in 1310 (now a highly prized literary treasure in the Vatican) by Prior Vital Du Four claimed it had forty virtues, including rendering ‘men joyous, preserves youth and retards senility. And when retained in the mouth, it loosens the tongue and emboldens the wit, if someone timid from time to time himself permits.’

The Armagnac region is divided into three sub regions:  Bas-Armagnac being the most highly regarded, covering over half the spirit’s production, alongside Armagnac-Tenareze, famed for its more chalky soil and Haut-Armagnac, which represents only a small amount of production in the region.  Alongside the aforementioned Baco grape (which was introduced in 1898) Armagnac production relies heavily on the Ugni Blanc variety, alongside Folle Blanche and Colombard to give the briefly fermented wines distinctly different characteristics before they are distilled.  Armagnac Producers favour Baco for its robust qualities and for the fact that it tends to age extremely well, with the Folle Blanche nicknamed the ‘ballet dancer of grapes’ for its temperamental traits during the growth period and the floral character it gives the finished Armagnac.  

The Armagnac Express rolls into town...
Traditionally the distillation of the wines happens in early November and by law must finish by no later than the end of March and it is this stage, which really characterises Armagnac as a fundamentally artisanal spirit.  The stills used are radically different from the alembic pot stills used in Cognac and their design is unique to the production of Armagnac. With a Serpentine condenser (resembling a coiled snake, used to turn alcohol vapour back into a liquid) their column still design is as ingenious as it is archaic looking and until recently, Armagnac producers would tow them on the back of tractors (or in some cases by horse and cart) directly to the vineyards to distil on site. By only needing to distil once, the distiller obtains a very flavoursome and complex spirit at around 52% ABV, Cognac needing to be distilled twice to reach the same alcohol strength. 

After a lengthy maturation in French oak primarily from the Monlezun forest the spirit develops its rich colour, with aromas of aged leather, dried fruit, spices and vanilla, which develop from deep within the casks.   Younger Armagnacs share similarities in flavour to Cognac, but older expressions mature amazingly well, developing similar character to aged Scotch whiskies. In fact, in certain cases, particularly vintages from the late 1940s and 50’s, the Armagnac takes on a distinct rancio-like quality (a highly prized musty/savoury note, often found in very complex single malt whiskies matured in sherry casks) which pairs extremely well with robust Cuban cigars and equally so with the region’s other gastronomic delights, notably foie gras and Agen prunes.

Bespoke bottling at its best

Perhaps one of the most striking things about Armagnac is that, compared to other oak aged spirits, it remains a mystery to many drinkers, partly due to the ubiquity of its big French rival, Cognac.  But when you consider that a bottle of vintage Armagnac from the late 1930’s (undoubtedly one of the finest spirits I have ever encountered) will cost you a fraction of the price of a comparable Cognac or single malt whisky, you begin to realise what a treasure trove there is to be discovered. One thing’s for sure, given the astronomical prices and increasingly high demand for the likes of premium single malt and Cognac globally, spirits enthusiasts could do far worse than occasionally considering turning their affections towards Armagnac, arguably one of the last great untapped, independent, artisanal drinking pleasures - before we’re all doomed to a diet of our favourite drinks in affordable pill form and a future controlled solely by multinational drinks companies. 
  
Here are a number of perhaps the finest examples of Armagnacs currently worth seeking out: Again, when you consider the relative (rapidly escalating) prices of super premium single malts, you'd be a fool not to given them a cursory look...

 
Armagnac Delord - Hors d’ Age - 15 Year Old - 40% - around £43

Pass through the sleepy market town of Lannepax in the Bas-Armagnac region and you’ll probably miss this tiny Armagnac house in the blink of an eye.  But surprisingly the company produces around 100,000 bottles a year. What’s remarkable is that the bottling process, labelling and finishing touches (wax sealing and gold embossing) are all done by hand by a team of two or three workers.  Artisanal production at its best.

Nose: Elderflower notes, tangerine, sweet country fudge, a hint of milk chocolate and a touch of cinnamon, cedar and dried fruit.

Palate: The spicy/fruity note extends to the palate, with apricots, maple syrup, candied orange and a touch of tinned peach. 

Finish: Vanilla, liquorice and a distinct spicy wood note.  

Overall: At this price, any curious-but-not-totally-sold spirits drinkers can afford to take a punt.  If you don't like it, send the rest to us and we'll swap it with you for something!



Darroze Armagnac - 40 Year Old - 43% - around £126

Darroze can rightfully be called one of the true pioneers of Armagnac, partly as the company has helped to make the spirit much more accessible outside of France. Under the tenure of the current custodian, Marc Darroze, a huge selection of vintages has been assembled, each one coming from grapes produced by specific farmers, alongside bottlings ranging from 10-60 years old.

Nose: Orange and lemon zest, cigar box notes, fresh cherries, almonds, marzipan and a wonderful sweet strawberry note.

Palate: Powerful and complex, with a strong rancio note, alongside dried fruit, liquorice spiciness and toasted orange peel.

Finish: Dark caramel notes and a dry oakiness give this some extreme length.

Overall:  40 year old liquid for under £130.  Think about that for a second, then ignore the price, open it and invite your regular spirits pals around.  They'll thank you for this introduction... 

Armagnac Castarède - 1939 Vintage - 40% - around £750 

Castarède is one of the oldest Chateaus still producing Armagnac and the company is still proudly family-owned, today by the formidable Florence Castarède.  Alongside some sensational younger spirits, notably the 10 year old VSOP and 20 year old Hors ‘d Age (‘Beyond Age’) Castarède pride themselves on producing some exceptionally old vintage bottlings.  

Nose: Blackberry leaf, effortless dried fruits, hints of butterscotch, some light charred notes and cherries in muscovado sugar.

Palate: An intoxicating explosion of passion fruit, blackberry, a little spicy liquorice and an oaky, tannic coffee backing.  Absolutely peerless.

Finish: Lingering notes of rich vanilla, dried fruit and woody spice.

Overall: An astonishing spirit, full of wisdom, complexity and personality, with stories to tell as long as you have time to sit there and enjoy them.  I was lucky enough to have a small measure of this and it will rank as one of the most enjoyable and enlightening drinking experiences I think i've ever encountered.  

Norwegian Wood (Part 2) : Glenfiddich Cask fo Dreams 2012 Nordic Oak Single Malt Scotch Whisky

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Until about 3 months ago, I think I was the scourge of any travelling party I was with. For those of you that don’t know, I’m one just a handful (in global terms) of people who have a Norwegian passport and until recently had a ten year old edition of the document which, to be frank, was kinda just that... a handwritten paper document without the ability to scan. 

Norwegian Wood, literally.
This lack of technology was something which seemed to confuse almost every passport control office in the known world, particularly those of American persuasion.

In a bid to bury the rubber-glove treatment so liberally handed out to people with a passport as "unusual" (not my words, but the words of Chuck from the Chicago branch of Homeland Security) as mine, I recently upgraded to a posh new passport with retina scanning and everything! Exactly what you’d want from a country as LOADED as Norway. 

Cheers, chaps! Now send me my barrels of oil, please!

Anyone who has been to Norway will have experience the unrivalled natural beauty of the place; it truly is stunning. And the one thing Norway has is trees. Lots and lots of trees.

Therefore, it makes a lot of sense for someone to whip up some casks from these trees, to mature whisky in. Which is exactly what the folk over at William Grant & Sons have done, maturing some of their flagship single malt, Glenfiddich, in Nordic oak. 

The final spirit, released as the Cask of Dreams, yeilded just 3,600 1 litre bottles which have been made available in the Nordics, with 1,008 bottles being seeded in to Viking Line ferries.

As a tribute to my Norwegian friends, the tasting notes shall be in my mother tongue:


Glenfiddich – Cask Of Dreams 2012 – Nordic Oak – 3,600 bottles – 48.8% - RRP 110euro

Nose: Krokan, honning, furu, vanilje, tre krydder og kanel.

Palate: God smak, hint av vanilje, mynte, kardemomme, jord og lavendel.

Finish: Stor tre smak, tørr og lang med en krydret finish som varer lenge.

Overall: A brave move, as the additional heat and power that new wood gives to whisky can often be too much, but this has worked well and the earthy tones it develops are very pleasing indeed.

Other Cask of Dreams releases have been done before, with one popping up in the USA in June, which was matured in American Oak and finished in virgin American Oak, priced at $99 and limited to 6,600 bottles.


It’ll be interest to see if a Cask of Dreams makes its way to the exclusive market of South East London. Perhaps they’ll step up to the local community and mature it in ex-Tennents casks...

The InFamous Grouse - Famous Grouse 40 Year Old Blended Malt Scotch Whisky

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Those of you who are regular readers of this blog will know that I'm not the biggest fan of flying.

Despite a large proportion of our time spent in Scotland on business, I would always rather take the four hour train ride to Edinburgh, than the 60 min flight. In my eyes rail is the greatest way to travel, but it does have its drawbacks.

Lengthier than flying (I wouldn't want to train it to Aberdeen or Inverness, unless on the sleeper) it can be hot, cramped and smelly. But at least, unlike flying, you get it sit in one place for an extended period of time; valuable writing time for me.

Somehow, and I'm never sure of the exact economics of this, flying can actually work out cheaper than taking the train and when we're organising our own trips up, which happens a lot, this is a vital consideration. It is also more exciting and more contemporary; the modern way to travel.


However, if one has a long lead time on a visit, the greatest travel of all can be achieved by booking early: first class rail travel.

Just that little step up from the norm, travelling first class to Scotland from London (or vice versa) gives you what basically amounts to a serviced office for 4/5 hours: internet, unlimited tea and coffee, beers or wine and two good meals. For £65 (very much in advance), it isn’t half bad.

The Famous Grouse is the most popular Scotch whisky in Scotland. Ubiquitous in both the local bar and supermarket, it tends to be consumed as a mixer (mostly) spawning off-shoots such as Ginger Grouse (mixed with ginger ale and available on tap in some outlets) which have seen the brand capitalise on its brand awareness, to take on the long drink market as well winning the race in the short drink field. 

So well loved and so well priced, it is interesting to find this Famous bird releasing a very old, ultra-premium blended Scotch whisky. A far hoot (is that the noise a grouse makes?) from on tap ‘pints over ice’, they’ve gone and added a First Class carriage, in the form of a 40 year old blend, to their express train.

276 decanters of the stuff have been produced at 47.3% and fall under the banner of a ‘blended malt’, so no grain whisky in the mix. It carries an RRP of £2,000 a bottle.

The Famous Grouse – 40 Years Old – Blended Malt Scotch Whisky – 70cl – 47.3% abv – RRP £2,000

Nose: The first thing to say about this whisky is that the aromas are incredibly vibrant for a liquid carrying this age statement. And we don't mean 'young’ by this, just jam-packed with flavours which dance around in a really great way. Everything you'd want from an old blend here: black cherry, antique furniture, rose-hip, slight cassia bark and some liquorice (blue liquorice allsorts). Aniseed, too. A hint of very old, lightly peated whisky.

Palate: it's up there in terms of strength for a 40 year old, so you get some excellent, moist Christmas cake at the start, then the delicate aniseed balls followed by the dark cherry and hints of Dr. Pepper and some very well aged peat.

Finish: Real liquorice comes to the fore and some oak spices appear as the flavour starts to dissipate.

Overall: Famous Grouse is a whisky which doesn't usually play this game- the biggest selling Scotch in Scotland, it tends to be a high volume, supermarket blend. However, this whisky is (and we're going to say it) exceptional. Like the Tam O'Shanter from the same stable, the very old blends leaving the Edrington blending room at the moment seem to be unstoppable.


A quite remarkable dram, but the big question is: will anyone travel first class, when they can fly? Let’s hope the typical Famous Grouse drinker isn’t Dr Richard Beeching and embraces this for the quality drink that it is. 

Otherwise we could be left with a ‘what if’ situation on our hands, a generation later, as we were with the railways.

Fright night In Room 666… Devil’s Punch Bowl Chapter II - An Omen?

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Today, you find us in a slightly diabolical place… Literally.    After checking in to our hotel at Gatwick Airport the night before a short day trip to Scotland (which requires a very early start) we find ourselves in the position of staying in the room below:


Talk about 'The Number Of The Best' (Western)

Before we pull the duvets close around our ears and start to worry about the strange knocking noise from the wardrobe (either the sound of Freddie Krueger sharpening his bladed glove, or a slightly rickety ironing board that wasn’t replaced properly) we realised our location was probably the best possible location to review one of the samples of a few recent purchases we have in our travel bags,  – Arran’s second chapter of their well received Devil's Punch Bowl.   

This time around the demonic inspired bottling has been put together from a range of some 27 different casks, including 17 ex-sherry and 10 ex-bourbon casks, four of which have held peated Arran. We’re told that the actual liquid ranges from vintages between 1997 to 2004. 

So with the wind starting to howl outside (possibly just another A320 Airbus landing) and strange shadowy figure lurking outside (as this is a Premier Inn hotel, we’re presuming it’s Lenny Henry) we pour a couple of drams. Will we last the night, or will the chilling Room 666 claim another couple of victims…


Arran - Devil’s Punch Bowl - Chapter II – 6,600 bottles - 53.1% - RRP £72.99

Nose: Young and a little spirit initially, leading into a touch of fresh orchard fruit (greengages and granny smith apples,) plus a slightly dried fruit note.  With a dash of water, a malty cereal note develops, with a touch of dried leaves and a little light smokiness.

Palate:Some feisty ginger hits first, with a softer caramel/honeyed note emerging afterwards with some drying spice. With water, the peat begins to develop. Not overpowering, but certainly present and dry, with a hint of sootiness on the back palate.

Finish:Lingering notes of clean malt and a slight earthy/dryness with a touch of smoke.

Overall:Perhaps more Rocky Horror than The Evil Dead in the fearsome stakes, but all in all, another decent and well put together whisky from Arran, a distillery which continues to punch above its weight.  

A Dram With A View... London's Best New Bars

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Every so often, from Berlin to New York, a bar will suddenly arrive without fanfare or expectation and completely change the landscape of drinking that the city has to offer.  From the gloriously speakeasy themed PDT (Please Don't Tell) in the aforementioned NY, to London's Purl and sister bar The Whistling Shop, both subterranean Dickensian palaces of science and flavour, the art of the bartender has perhaps never had a safer pair of hands over the last 3 years.

Recently, Caskstrength has been tasked with undertaking some bartender training on the mixability and vitality of the blended Scotch whisky category and speaking to the groups of bartenders from across the globe what's clear in particular is that right now, London appears to have the edge when it comes to the variety of great bars offering exemplary service and a wide variety of innovative drinks.  Last week we had the pleasure to visit arguably one of London's most exciting new bars, NOLA (named after the abbreviation of New Orleans, Louisiana) run by the wonderful Dan Priseman, a man who has never looked more at home serving simple classics given a subtle sprinkling of the Deep South.
A wonderful Hurricane-inspired drink from NOLA

NOLA isn't a huge bar -  probably with a capacity for 30 guests or so, but what it lacks in size it more than makes up for in panache and for those in search of a perfect Ramos Gin Fizz (which comes with the proviso that the bartender must be on the verge of passing out before the drink is properly shaken) there really isn't anywhere else to consider.  They even have a fabulous cigar terrace and a frighteningly  well-put-together collection of sticks to enjoy.  Hola, NOLA, we salute you!  

But for the sheer scale of what makes London one level ahead of the pack in the bar stakes, one only needs to look up to the skies and to The Shard, London Bridge's newest and most captivating landmark- in particular the 31st floor.  For those of you who know little of London's latest swathe of tall buildings to divide opinion like no other, The Shard is the daddy of them all, and currently carries the lofty title of Western Europe's tallest building.  From the underneath, the scores of tourists eager to travel to its summit seem more than happy to part with the £25 per person it costs to take an elevator to the very top.  But amazingly, about 99% of them fail to spot the obvious goldmine of a drinking opportunity. Venture around the corner from all the queues and you'll find another entrance with a single lift containing just one button for the 31st floor.  Now given that The Shard has 72 floors, you'd think that being less than half way up was a little like popping to watch the latest blockbuster film and deliberately missing the action packed cliff-hanger of an ending. But after stepping out of the lift and strolling into the Aqua Shard bar, you'll reconsider the meaning of the phrase 'no half measures'.  Because here, half way is definitely the right way.

The smile on your partner's face as they see the location they'll be enjoying several cocktails for the next few hours is absolutely priceless, for in our opinion, Aqua Shard outshines any other high rise bar in the world, without question.  Don't believe us, then see below...

Hello London...
But of course, location isn't everything. But when you have a view this good, you'd be gloriously happy just drinking tap water.  A quick perusal of the menu reveals that Aqua Shard specialises in a small range of classic inspired cocktails, with Harry's Cocktail (featuring Monkey 47 gin, Antica Formula, absinthe and garnished with an olive and fresh mint) - about as perfect a drink as one can imagine when presented with such an impressive vista of London's skyline.  Aqua have an entire menu based around gin-based cocktails and also one dedicated to tea-infused creations, with the Persephone's Cup comprising of Buffalo Trace bourbon, Moscato, hibiscus tea syrup, some bergamot and lavender bitters all aged in a small white oak barrel.  It's gloriously floral, yet mouth-wateringly rich and just goes to show how manager Manuel Soro has risen (at least 31 floors...!) to the sky high challenge of making Aqua Shard London's most exciting place to drink.  Just make sure your guests have a head for heights...

For more information on both bars visit:  www.aquashard.co.uk and Nola-London.com

Whisky On The Rocks: Mumford & Sons Gentlemen of the Road Whisky

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I don’t know if it is my age but I’m very much enjoying the brilliant BBC iplayer and some of the eclectic shows which can be found on BBC’s 6 Music radio station. I have written beforeabout what delights can be uncovered on shows such as the excellent weekly offering from Don Letts and others.

We are in a time when a lot of us will own some form of digital device on which we can store music. When I was young, the storage of songs was on cassette tape. C30, C60, C90 and if you were really luck, a C120. That was it.

Not now- even on the cheapest of devices you’ll end up with hours of storage space for your tunes.

Hours. That’s a lot of music.

Ergo, this forces music consumers (that’s you and me) into a wider spectrum of genres in the listening experience. If you’ve only got a C60 tape to fill, you can only stick to one genre. If you’ve got hours, you’ll jump between hip hop, indie, rock, folk, acoustic... you name it, you can have it.

When I first started my whisky journey, it was all about one genre: single malt Scotch. However, as my palate as developed, as I have dedicated more time to understanding whisky, greater attention to details and production processes, I have expanded my spectrum of flavours to blends, world whiskies and grains. And better my life is for it, too.


Recently, we ran a backstage bar for our friends Mumford and Sons, when they played their biggest headline show to date (save for Glastonbury), selling out the Queen Elizabeth Olympic Park in London.

We were offering a selection of different Scotch whiskies to try, as well as a cocktail, The Gentlemen of the Road whisky cooler, made using apple juice, homemade apple cordial, Cutty Sarkblended Scotch whisky and chocolate bitters, which went down a storm with the bands and VIPs.

The real star of the show, the headline act at our original 1950’s bar, was a blended Scotch whisky which we crafted at Caskstrength Towers and held in a giant vintage demijohn. Made up from around 100 different whiskies, some dating back to 1954, it was the centre piece to our bar.

Alongside sampling this bespoke blend, we were letting attendees fill their own small complementary bottles (each featuring the gig poster as the label) which were then hand numbered and wax dipped. Only 120 of the little 60ml critters were available.

We were thrilled with the reaction to our whisky and hope that it in some way it highlighted exactly what an art it is to compose those famous blends which have existed for generations and are often sadly maligned in the UK, often for their ubiquity. There is a reason so many blends are seen on shop shelves: because they’re pretty darn good.

We are in no way Master Blenders, but we hope this small exercise went some way to entertain as well as educate those who came to the bar to explore whisky. Blended whisky is not something to be scaredof and we hope that, in trying some and understand the art of blending, that it will do what the MP3 has done for popular music: your love of whisky shouldn’t fit on a C90 cassette, but should be broad enough to fill a whole ipod and for some, hopefully this was the start of that journey.



A Thank You Plus Auchentoshan Virgin Oak Single Malt Scotch Whisky Review

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We don’t keep count here at Caskstrength Towers. We couldn’t tell you how many posts we’ve written over the years, nor how many whiskies and other spirits we’ve reviewed, but needless to say, it has been a fair few.

A labour of love, running a blog can often fast become a way of life; like those lycra-clad folk (I belive called 'mamils') who manage to make going to the gym a regular part of their life. We’re not exercise-shy by any means (Ardbeg Half Marathon, anyone?!) but somehow sitting down at our laptops, with a dram in hand, seems unusually to take the place of the locker room and dumbbells. Goodness knows why...!

If you are signed up to our mailing list (and if you are a regular reader, why wouldn’t you be?) you’ll know that each time we post on here, at 8pm GMT that evening, our scribblings are sent out to your inbox, for you to read on the bus, in bed or on the loo. If you’re not signed up, just stick your email address is the little box on the right; all you’ll get is this blog. Honest.

Once the email goes out, we often receive replies to it, with comments, questions and general feedback. (A special mention here for Wim, with his regular replies) We really appreciate all your comments and kind words.

This week, we found out that we have made one of the five finalists for The IWSC Blogger of the Year award, along with wine blogs Matt Walls, Deby Berd and the Wine Folly and the Sherry Blog WorldSherryDay.com, all wonderful places to read about grape-based products.

It is lovely to be nominated for awards, especially one with such a great international reputation, but what really makes writing this worthwhile is your feedback, comments and questions. If a tree falls in a wood and no one is there to hear it, does it make a sound? Similarly, if a blog is set up and posts written, yet no one visits the site to read it... you get the picture. So, before we start today’s post, we’d just like to say a huge thank you to those of you who keep this blog alive, by giving us a reason to write it.

Exception to the rule - Auchentoshan Virgin Oak

There are always rules in life. And there are always exceptions to those rules. “I before E, except after C” is probably the most famous of the lot and one which, to be frank, is a heinousrule which seems to have become sovereign in our teachings on grammar, confusing not only those foreign to our language but also our neighbours, too.  Unscientific and downright weird, this rule should neither be taught nor learnt.

Can you see what I’ve done there...? Answers on a postcard to Caskstrength Towers (or a simple reply to your email, if you’re on the mailing list, will do).

When it comes to explaining whisky, there is one rule which is usually trotted out, that Scotch whisky is double distilled, whereas Irish whiskey is triple distilled.

Having just returned from a lovely trip to the new still house at Midleton distillery in Cork (home to Jameson, as well as Red Breast, Green and Yellow Spot and Midleton single pot still Irish whiskeys), it is great to see this powerhouse of triple-distilled whiskey production booming, but to say that this is the main difference between Scotch and Irish whiskey is simply untrue. In our next blog post, we’ll focus on what some of those differences are, but for the time being, let’s have a look at that most simple of rules: that Scotch whisky is always double distilled.

Aside from Springbank and their reflux-heavy stills which give not thrice, not twice but somewhere in between levels of distillation (famously their Hazelburn brand is triple distilled), there is one small single malt Scotch distillery which proves an exception to the rule.

Auchentoshan distillery, located just on the outskirts of Glasgow, produces triple distilled single malt Scotch whisky. As a result, the spirit taken for cask filling, from their third still, is at 81% abv, reputedly the highest in Scotland.

Their latest release sees Auchentoshan mature their whisky in virgin oak casks, untouched by any other spirit before use. In theory, this should show up the true DNA of the spirit, giving just a hint of North American oak to the whisky, but let’s find out:

Auchentoshan – Virgin Oak - NAS – 46% abv – RRP £69.99

Nose: Cinnamon dusted apple strudel, with hints of vanilla ice cream, Lily of the Valley and some lemon juice. Over time, the nose develops a more earthy quality which adds depth and complexity. Some tropical fruits after a while.

Palate: Big and fruity (tinned fruit salad), there are certainly elements of pineapple and ginger here, with peach melba, apricot and more pineapple. There are flourishes of lavender and sugary shortbread, but overall this is a very fruity dram and really quite lipsmacking.

Finish: The earthy notes from the nose give good ‘oomph’ to the passion fruit and pineapples found in the palate.

Overall: Right up there for me with some of the best releases this year. My only criticism is the price, which seems a little steep at nearly £70. All in, this is a solid release from the team at Auchentoshan.


Well worth a try (and well worth a visit if you’ve never been), let’s hope this sets a high standard for new releases from them and doesn’t prove to be an exception to the rule.

The Riches Of Midleton - Barry Crockett - Irish Whiskey's Superstar

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As anyone who has visited a distillery before will tell you whisk(e)y making, wherever it is produced, is not just about the liquid, the processes and the location but also the people behind it.  

Visit any of the picture postcard distilleries on Islay in Scotland and the above is very much on show:  from Iain McArthur at Lagavulin, the cheeky warehouseman, whose guiding influence on the selection of the whisky has been instrumental in making Lagavulin one of the best loved distilleries in Scotland.  Iain recently celebrated his 40th year working in whisky, many of them spent at Lagavulin, every year honing his knowledge and his ability to pick a winning cask.  The same story applies to the Bowmore distillery. Manager Eddie MacAffer began his tenure at the distillery back in July 1966 and is without doubt, the most learned person on the planet when it comes to the whisky produced by this hugely popular distillery.  

In Ireland the story remains the same and last week, we were lucky enough to be part of a very special double celebration at the Midleton distillery in Cork.  For those unfamiliar with the Midleton name, the distillery, which was re-developed on the old Midleton site back in 1975 produces, Jameson Irish whiskey- available in almost every bar in every town in every country around the globe.  Such is the popularity of the brand, alongside the recently revived excellence of Green Spot and Redbreast (the 12 year old sells around 30,000 cases a year), that Irish Distillers who own the vast complex of still rooms and warehouses (to give you some idea of the scale of the brand, we counted nearly 50 aircraft hanger sized facilities, full of maturing casks) have just completed an ambitious expansion plan, taking the capacity of the distillery to somewhere in the region of 60 million litres of whiskey a year.  

Yes, they're really this big...




The Midleton 'Housewarming' was a celebration of just why Irish whiskey is currently the fastest growing dark spirit category in the world and for two days, nearly 1000 writers, journalists, bartenders and whiskey enthusiasts desended on the small town, where the distillery had transformed itself into effectively an Irish whiskey theme park - not only to celebrate the huge expansion, but also to give a fond farewell to Barry Crockett, master distiller for Irish Distillers, who retired at the event, handing the reins over to Brian Nation







The Midleton distillery has received a substantial facelift and in addition to the impressive construction  of the Garden Still House (with quite easily the biggest pot stills we have ever seen, with an overall capacity of 80,000 litres, typically running at up to 40k)the distillery is now catering more for consumers, with the addition of a whiskey academy, complete with old school chairs and desks, blackboards and some seriously impressive working glass stills at the back of the room, that brilliantly highlight the potstill distillation process.  The academy is intended to be as detailed or as light on knowledge as needed, for instance catering for groups of bartenders, keen to know more about Irish whiskey and its DNA compared to other whiskies, or simply for visitors to the Midleton site to get a feel for what is to come when they visit the full sized stills on their tour. We like... A lot. 



Barry & his newly named Stillhouse
And as to the whiskeys themselves.  Well, here at Caskstrength we'd heard quite few rumours concerning a brace of new Redbreast releases (steady on, not those sort of rumours) so were keen to see if there was any new liquid on offer during our trip. Alas not, but we hear there is to be some substance to the rumours shortly -  watch this space. What we did get to try again was the range of single potstill whiskeys, which Midleton have been steadily building into a strong category of its own (see our previous feature here for more information) 


Seeing as it was Barry Crockett's final day at the site, a healthy dram of his legacy whiskey seemed the most fitting send off -  and without a doubt, the Crockett, totally rocked it... 


Barry Crocket Legacy -  46% - 70cl

Nose: A sensational balancing act of fresh orchard fruit, vanilla, some tropical notes (mango and passion fruit) whipped cream with a drizzle of honey and del seasoned, spicy oak.  As Irish whiskeys go, this has everything -  depth of character, a spicy backbone, delicate notes and a very fruity personality -  much like the real life Barry Crockett.  Triumphant just about sums this up.

Palate: The tropical fruits of the nose develop further on the palate, with the seasoned oak starting to develop a presence. The taste is full on and zesty initially, but with a little water the calmer vanillas develop alongside soft ripe plums, some peppery notes and a creamy oakiness.  

Finish: Lingering notes of the soft fruit, with a little touch of spicier, dried fruits and a delicious creaminess which fades with time. 

Overall: Whilst it's sad to see Barry Crockett retire, he has passed the tasting glass on to a more than capable distiller in the shape of Brian Nation.  Not only that, but he has left a truly great legacy behind in this wonderful whiskey.  Alongside Redbreast 15 year old, this is easily our favourite Irish whiskey and that is saying something.  Enjoy your spare time, Barry -  and make sure you leave with a few cases of this in your car...

You can learn more about the Midleton distillery by visiting: www.singlepotstill.com

The Devil Is In The Detail - Bowmore The Devil's Casks Single Malt Scotch Whisky

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A very short post, doubling up as a bit of a rant:

Please, please, please... if you run a distillery and have an 'innovation' department, can we please encourage you to do at least a basic review of other brand’s products in the marketplace before you craft your marketing for a new release.

Let’s say that maybe one island-based Scotch producer had twice used the devil in their releases. And maybe even a major American whiskey distiller had too... well, then maybe don’t use it for your newest release. Especially when the liquid inside is really quite good.



Bowmore – The Devil’s Casks – 10 Years Old – 6000 bottles – 56.9% abv - RRP £50.99

Note: matured in 100% sherry casks

Nose: A big hit of peat and salt at the start which develops into Battenburg cake, a hint of vintage engine oil and new leather (nubuck). There is certainly a tarry element to this, which isn’t a bad thing as it adds some real depth and body to the liquid.

Palate: This dram needs water to open and, quite frankly, take some of the aggression which it has at 56.9% away. Once watered, it gives plums, red apples, quince cheese, damson jelly, cigar box and some quite earthy tones of high quality dark chocolate, all wrapped up in smoked ham.

Finish: Again, a good slug of water is needed to bring the very best out of this dram. The finish lingers with brooding smoke and the plums hanging around, in a big, juicy capacity right to the end.

Overall: A very good whisky which is remincient of some of the single cask first fill sherry casks of Bowmore which have been released by the SMWS recently. The price point feels right for this whisky (after their seemingly ‘expensive’ offering of Auchentoshan which we reviewed last week) and the decision to bottle at such high strength is admirable, even though it really does need water to open up. Think of this as the sherry equivlient to Tempest, which itself has been consistently accepted as quality liquid, from batch-to-batch.


So, great liquid. The devil really is in the detail. It’s just a shame that he stayed in the blending room and didn’t make his way to the marketing department for this release.

The Whisky From Breaking Bad - Dimple Pinch Scotch Whisky

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Breaking Bad and Scotch whisky; two of the very items which seem to have consumed my life recently.

It must have been over a year ago when a chap called Olly Wehring, editor of drinks industry website Just-Drinks and erstwhile twitter addict (@ollywehring) 'lent' me a copy of the first season of Breaking Bad on DVD.

Now that the final season, five, has hit our screens in the UK via Netflix (already making the idea of having watched season one on DVD seem like a vintage concept) each Monday, it has become a 'must watch' in my house.

On that note: when did the word 'season' overtake the word 'series'? I'm not sure I like it.

But back to Breaking Bad... It took me a good nine months or so before I even looked at the DVD which had been lent to me.

I'm one of those people who, when someone says to me "I think you'll really like it...", revolts against the idea. It makes me want to really not like something. Just as when someone says "I think you two would really get on...". No. No, we won't.

Despite this unusually pessimistic stance (how can one be a pessimist when supporting Oxford United?!), it is always a joy to be proven wrong. And this is exactly what happened with Breaking Bad.

Two episodes in and I was hooked. A couple of weeks later and I was already on season four. What had become of me?

As the seasons develop, main character Walter White is seen imbibing various drinks, from "Churchill's favourite Champagne", Knob Creek whiskey, cheap Tequila and, of course, Scotch whisky.

But it was not until the penultimate episode (shown this week) where, at a bar (I won't say where, as I've not given a spoiler alert at the start), Walt orders a Scotch- a "Dimple Pinch. Neat."

Dimple Pinch is a blended Scotch whisky which comes in quite a unique 'pinched' bottle. If you're outside the US and looking to pick up a bottle of this (to watch alongside your two copies of Mr Magorium's Wonder Emporium at your Breaking Bad finale party next week) then, unless you hit specialist retailers such as The Whisky Exchange or Master OfMalt, and pick up a vintage bottle, you won’t find Dimple Pinch here. But you will find exactly the same drink, in the same bottle, but carrying the title Haig’s Dimple.

A while back (in 2011) we did a post on Haig, the man (or men) and the influence the Haig family has had on both Scottish and Irish distilling, which you can read here.

A fascinating story, it is rightly deserved that Haig’s name remains on a bottle of Scotch whisky and quite sad that Dimple Pinch’s new found fame doesn’t reference the man himself; for had Breaking Bad been set in the UK... well, Walter White wouldn’t be in his predicament to start with (Go, NHS!), but his bar call would have been “Haig’s Dimple. Neat.

So here, once again, are our tasting notes from a vintage bottle of Haig’s Dimple:


Dimple Pinch / Haig's Dimple – Old Blended Scotch Whisky – NAS - 70pc Proof – 13 1/3 Fl Oz

Nose: The first impression is of spiced apricots. Almost Bombay Mix but with a tangy, fruity nature behind it. Over ripe banana notes then peek through, which grow over time. It seem to me that there is a decent slug of European Oak in here but there is also some energy from the grain whisky which certainly waves its flag from the medley of different aromas. As the nose dies off it leaves behind some fresh mint and a hint of strawberry travel sweet (the ones covered in dusty sugar).

Palate: Banana hits first with a range of different fruits, from pear drops to red cherry dancing about. But not real flavours, again the sort you find in boiled travel sweets. No bitterness, but a touch of sharp, zesty citrus notes which don’t sit brilliantly with the sweetie notes. However, it makes for a more developing and energetic palate, pulling it away from “too sweet, sickly” just at the right point.

Finish: Short, slightly spiced with the lime zest lingering and a hint of liquorice at the death.

Overall: It doesn’t matter when this blend was put together, it is still a No Age Statement Blended whisky and, without knowing how ‘exclusive’ it was when it came out, I didn’t hold much expectation. This more than delivered with a fantastic nose, a suitable palate which was well balanced if not a little unsubtle in moments and a finish that leaves you able to refill and go again pretty quickly. All-round, drinkable and enjoyable.

So if you’re stocking up on Dimple of any kind, in any country, for the finale of Breaking Bad, then have a go at seeing how close today’s offerings are from that in the tasting note above.


Enjoy!

Cargo-ago-go

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Howdy! Apologies for our apparent absence for the last week, but clearly B.B.F or ('Breaking Bad Fever') has taken over the Caskstrength office and we simply couldn't do anything else in the meantime in the run up to the grand finale...  

In fact, now it's all over, a light seems to have gone out in our world... Fortunately soon to be filled by the announcement of our very exciting new whisky release in the A-Z Caskstrength & Carry On series.   

Think 'D'... 

Think 3D...

Then be afraid... Be very afraid. Stay tuned to www.3DWhisky.com for more updates and announcements and remember: 

7/11/13 is 3D Day... @3DWhisky


But back to business. September has proven to be a terrific month for whisky events and new releases and fortunately, we've been hanging around a few of them (Breaking Bad permitting)

First up was the wonderful Cutty Sark Cargo event on the 12th September, held in Shoreditch, an area hipper and a Hip Hop Hippo in expensive sneakers and a chunky gold chain.   


Cutty Cargo was the first of its kind and a breakthrough moment for this highly regarded blended whisky;  Build a giant cargo crate in a cool location, fill it with very cool stuff: soulful dance artist Jessie Ware, DJ Duke Dumont, performance theatre, a secret speakeasy room guarded by a spiv, cocktails from 69 Colebrooke Row, a burlesque show and sliders, courtesy of hip London restaurant Meat Liquor.  

Oh, all this and 200 happy people, lashings of Cutty Sark over ice and mixers, shots with craft beers and suddenly, you have a blended whisky that's playing in a very different space to most others.  

Cutty has never professed to follow the pack and resort to Scottish traditions, heather and weather and a lingering walk from a lone piper. It was innovative, groundbreaking and contemporary back in 1923 and in its current guise, is still by far the best at breaking down the barriers to blended Scotch whisky that exist in the minds of younger people, which are easily pole vaulted by the white spirits category... 

Cutty Cargo was a test event and we hope to see this coming to many other cities globally in future.  The future's bright. The future's yellow and ship-shaped. 




Last week saw another pivotal moment in the rise of single potstill Irish whiskey, with the release of Redbreast 21 year old, the oldest expression in the Redbreast family and certainly the whiskey that puts aged Irish whiskey firmly in the hearts and minds of those who have criminally overlooked the spirit. 


The 21 year old is the 9th edition to the Single Pot Still range that Irish Distillers have created (which includes, Green and Yellow Spots, Powers John's Lane and Barry Crockett Legacy) and we were lucky enough to be hosted by master blender for Irish Distillers Billy Leighton, who demonstrated the considerable delights of the new whiskey next to the 12 year old and classic 15 year old. The 21 year old is again a mixture of malted and unmated barley, matured in both American oak and first fill oloroso sherry casks.  

Redbreast - 21 year Old -  46% 

Nose: Stupendously fruity on the first nosing, with notes of fresh vanilla, mango, passion fruit, kiwi, ripe bananas and coconut. Dig a little deeper and you'll find some drier spices, some subtle oak tones and a richer, darker caramel.  

Palate: The fruit and vanilla dominate here, with the tropical notes from above leading a trio of orchard fruits (plums, green apples and wine stewed conference pear)  The mouthfeel is fat and buttery, with a superb golden syrup note coating the tongue, before the woody spice of clove and cinnamon get their wicked way with you.

Finish: Lingering and dry, with lighter fruit notes on the death.

Overall: We've featured Irish whiskey a lot over the last month, with the Midleton Housewarming event, a truly terrific Teeling Silver Series 21 year old (which has more fruit than Carmen Miranda's head dress) and this just adds to the tally of greatness coming from the emerald isle.  







Scheming Barstewards

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Somewhere in an alternative reality, we'd like to think a story like this has hit the British press this week.

---Friday 11th October---8.00am---News Report---City Focus---RSS Feed---

It has been on the cards for a while: the steady rise in whisky prices over the last decade has seen bottles previously in the £30 zone rise into the £60 region and £60 whiskies move up into the three figure arena.  

Prices are becoming eye-wateringly expensive, especially for the first time buyer, previously able to start their malt journey with a full sized bottle of Lagavulin 16 year old, that they're now often forced into a corner where the only available bottles within their budget are small, cramped miniatures of standard expressions which offer no room for growth and little investment potential. 

It is these increasingly expensive barriers to entry into the single malt whisky market that has prompted Chancellor George Osbourne into the unprecedented step of launching the Government's 'Right To Buy (Whisky)' programme. 

The programme, which offers a substantial contribution to the deposit on whisky purchases aims to help those who are looking to upscale their current dram. Under the scheme, financial help is available on purchases from £60 up to £350, valid at both regular retail outlets and at specialist online whisky auctions. 

It is hoped that the 'Right To Buy (Whisky)' programme will bring a greater number of consumers into the marketplace who have previously only been able to sample and effectively 'rent' single malt whisky by attending festivals or setting up blogs, in the hope of being sent examples of the distilled spirit. 

However, experts have warned that Scotch stocks are currently at an all time low and with an increased number of upwardly mobile consumers in the market, it could cause a significant 'whisky bubble' as buyers rush to make their new purchases.

'I'm desperate to buy,' said first time buyer Keith Peters 'but at the moment i'm just renting space off the Scotch Malt Whisky Society annually and sampling their bottlings.  I've resigned myself to never actually owning a bottle, but with this new scheme, it looks like i'll be able to afford the new Macallan 18 year old.' 

Elsewhere, Whisky Real Estate Agents, the traditional brokers for the more desirable end of the market have predicted the 'Right To Buy (Whisky)' programme will create a two-tier system: those with a huge whisky portfolio, who will simply cash in on their investments and those consumers who have reached a certain 'empty nest' stage in life and are looking to downsize from sort after 'listed' whiskies to more accessible, easy to maintain, less premium offerings. 

Hitting all the right buttons -
Boom time is predicted for whisky auction sites
'We're also going to see whisky owners have a complete change of heart and even consider moving abroad from the spirit,' thinks Angus McCormick, Head Investment Agent for Whisky-On-Demand.'You're potentially going to find some owners just upping sticks altogether from whisky and even migrating to Armagnac, Cognac or, maybe even as far afield as the Caribbean rums.'

So far, Government ministers have been reluctant to issue any statement as to the likely repercussions of the new scheme, which was rushed out ahead of schedule to coincide with the spate of new online auctions currently running. But drinks business analysts, such as Glen Hilowry at Drinks Only have issued a stark warning.

'The business is potentially on the brink, with limited resources, a large, opportunistic and enthusiastic new consumer base and the possibility of an explosive future for other spirits,' pointed out Hilowry.  'Im not going to be sat down watching this one unfold, that's for sure.' 

---------

Until the scheme takes hold, we'd advise uncorking something special from your cabinet, pouring a large measure and holding on to it for dear life... ;-)

I Like Big Brands And I Cannot Lie - Glenfiddich Cask Collection Single Malt Scotch Whisky

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In the music business, there is almost an honour system of wanting to see artist before they become famous, in small, dark, damp venues dotted around the UK, Europe or America. This is not just the domain of the fabled A&R person (we should know, that’s exactly what we used to do), but also for the hard working radio plugger, journalist or artist manager.

And when it comes to fans, there are always people who will be looking to hear artists who no one else is listening to. These ‘early adopters’ are the social butterflies of the music world, moving on to the next hot act as soon as numbers swell beyond fifty at a gig. Be seen in a crowd? No chance.

It is very much a journey for an artist, who needs these early fans to be vocal in their support to climb their way up the ladder, in order to carve themselves out a niche in the music industry and, crucially, to make a living for themselves. You often find that it is the artists who aspire to use the system to become millionaires, who fail. However, those who just have a simple desire to make music tend to be the ones who, mixed in with a shovel-load of hard work, become successful recording artist and the money, fame and wealth are simply a by-product of their talent and work ethic.

Ronnie ‘Red Socks’ Cox, the brilliant brand ambassador for the Glenrothes single malt quipped to me recently that the best distilleries were the biggest, as their malt is so much in demand. Yet so often single malt fan(atic)s are drawn to discussing distilleries whose output is so limited, they’re a fly on the cake of that is the global whisky business, a raisin in the scone of Scotch.

Here at Caskstrength HQ, we get slightly riled by people who believe that smaller = better, craft is class or that artisanal is the answer. In reality, this party is an open house and you should leave your perceptions at the door. Just because a distillery produces over ten million litres of spirit a year, does not make it bad. In fact, as per Mr Red Socks, it probably makes it ‘better’. Whatever ‘better’ means.

But here on this blog, there is no ‘better’. There is different. There is unusual. There is overpriced. There is, occasionally, bad... and that is why we don’t score whisky. We give fairly agnostic tasting notes and some direction as to let you decide if this is the dram of your dreams, a hipflask standard or simply one you think you should avoid altogether.

So ask yourself this question: when it comes to single malts, when was the last time you had a Glenfiddich? Or a dram of The Glenlivet? Or a measure Glenmorangie? And I’m not talking indie bottlings here, either. I’m talking the proper, core range releases.

These brands have sat comfortably for decades on backbars and supermarkets shelves, which makes them easy to walk past, simple to ignore.

But don’t! For there is a reason that these brands have such staying power, a reason for their ubiquity: because they’re bloody good.

And it doesn’t cost a lot to try these whiskies. You don’t have to go to the Highlands to experience them, nor do you need a full bottle. A mini of any of the above, at 10 or 12 years old, will set you back about £3. Less than a single on the tube or a pint of beer, or similar to the price of a big marker pen...

Beyond the core range, there are wild and crazy expressions which draw on the DNA of these big distilleries. Each have their own limited edition ranges and, as we have discussed before on here, play with creative liquid in the travel retail realm.

Glenfiddich are the latest to launch a set of new expressions in this arena, with three new bottles hitting the shelves of your local airport in the not too distant future.
Glenfiddich Select Cask, matured in hand-selected aged Bourbon, European oak and red wine casks, Reserve Cask, matured in distinctive Spanish sherry casks and Vintage Cask, matured in European oak and American Bourbon (a smoky, peaty version of ‘fiddich) are all married in their own Solera tuns, tadtionally used on Glenfiddich’s 15 year old edition.



Glenfiddich - Reserve Cask – Travel Retail Exclusive – 40% abv

Nose: A big hit of allspice backed with vanilla and mossy oak give way to some bergamot and dried orange peel give almost a mince pie aroma to this dram.

Taste: Sweet builders tea, this has a relaxing and easy going palate giving more vanilla, hints of roasted chestnuts and some more fruitcake.

Finish: A hint of spice with sweet undertones.

Overall: A very drinkable whisky which shows exactly why big brands have big love with consumers.

Weighing in at with an ABV of 40% each the Select Cask and Reserve Cask will be available from the 1st September with Vintage Cask hitting early 2014.

Due to the competitive nature of travel retail, you’re less likely to find small, craft distilleries on the shelves, so it is a good opportunity to reacquaint yourselves with the big brands. Go over, apologise for not calling and strike up the relationship once more. You won’t regret it.

3D WHISKY. 3D-DAY IS COMING... AND THE 3RD DIMENSION... IS FLAVOUR

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So here we are folks, one again poised before another exciting time for whisky releases.  And we're extra specially proud, as November 11th is the official release of our 4th bottling in the series of the Caskstrength & Carry On 'A-Z of Whiskies' -  and this one is a biggie.  

We've come some way with our last bottlings: From the Arran first fill single cask, to a spice-laden BenRiach to the Cutty Sark we launched in March this year to commemorate the 90th anniversary of the brand, Caskstrength have always tried to bring you something exciting, vibrant and above all else superbly drinkable.  This time round, we've gone even further... into the 3rd dimension of flavour to be precise.

Ladies and gentlemen, we bring you 3D Whisky


3D has been our most ambitious project yet and brings together a partnership between three distinctly different distilleries:  Dailuaine, Dalwhinnie and Dufftown 

Working with Dr Matthew Crow, one of the master blenders for Johnnie Walker, we've come up with a brand new recipe blending these three great distilleries together, to produce something that literally takes whisky to another dimension.  

3D Whisky is bottled at 56.4% and will be limited to 504 hand signed, individually numbered bottles. 

In addition, the label harks back to a golden age of 3D, printed in true 'StereoScopic' effect and every bottle comes with a pair of 3D glasses to enhance your viewing (and possibly drinking) experience.  

Print-Your-Own 3D presentation case (if you have a 3D printer)
If not, we'll tell you where you can get one printed

But that's not all.  On the back is where it gets really cool. Bringing together both Old and New Schools is what Caskstrength is all about and on the back label you'll find a QR Code that enables you to download the plans for the very first 'Print-Your-Own' presentation case in the drinks business for your bottle of 3D, using the latest, most high tech 3D printing capabilities.    

We've also had a lot of fun during the project and have made a short feature film (which is partially shot in 3D) charting the thrilling time we had constructing such a monstrous whisky.  You can see the trailer for the film here:  http://youtu.be/evhklEgMMXY




The premier of the full film will take place at 7.30pm on the release date '3D Day': 
Monday 11th November. 

As with our previous releases, the chaps at Master Of Malt will be retailing 3D whisky and a bottle will set you back just £49.99 

This is whisky, Jim... But not as we know it...

Joel & Neil



It's Arrived!! 3D Whisky Hits The Shops... & The Cinema

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Sorry for the slightly enforced silence for the past two weeks, folks. We haven't been slacking off, just beavering away on making sure that today, 11th November, is well and truly in Three Dimensions.   

That's right folks, our next instalment in the Alphabet Of Whisky has arrived and 3D is now available to order from Master Of Malt, priced at £49.99.   


In case you missed our ceaseless promotion for this new whisky, we think 3D is a real groundbreaker.  Daluaine, Dalwhinnie and Dufftown distilleries all bought together in one bottle -  a first in this capacity. Each bottle is individually numbered (and hand signed) and comes kitted out in a 3D label, courtesy of our great friend and designer, Dave McDougall  coming with a pair of old school 3D glasses too.

But on the back, you can scan in a QR code that takes you to 3Dwhisky.com, where you can download a unique sleeve for your bottle, that can be printed out by the marvels of a 3D printer.  If you haven't got one, then all is not lost.  Simply visit iMakr, our 3D printing partners and their 'Mini Factory' can get the job done for you!  

To get you in the mood, here's a short film we made about the whisky's creation.  Inspired by 3D masterpieces of cinematography such as Jaws 3D and the mighty Garth Marenghi's Darkplace (not in 3D but brilliant, all the same), we chart the fateful day when 3D was bought to life... 

Be Afraid... Be Very Afraid...


We hope you enjoy this as much as we did making it.  Special thanks must go to Neil Edwards, the man behind the camera and to our co-star, Sarah Brown for such a sterling effort in front of the lens.

Here's our tasting notes for 3D... let us know your thoughts!

Caskstrength & Carry On - 3D Whisky - 56.4% -504 bottles

Nose: Some candied fruit hits first, with fresh pears, ripe plums and orange peel giving the nose a layer of zestiness. Next comes a hint of white pepper, nutmeg spice, vanilla and nutty milk chocolate.
Palate: A dustiness arrives, with charred oak, leading into a very subtle floral note, more orange peel, creamy malt and lemon meringue pie. The fruits of the nose are concentrated, with plums, sour cherries and more vanilla. Water brings out floral notes of white lilies, elderflower and nectarines.
Finish: Lingering notes of orchard fruit honeysuckle, green apple and subtle oak.

Slainte... and buy 3D... ;-)




  

Hello World, We're Back! The Dalmore 25 Year Old Single Malt Scotch Whisky

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Ahhhh, it’s nice to be back in front of the computer writing for fun. Not that all the writing we do isn’t fun, but there is something liberating about writing a piece for this site which doesn’t require a word count nor a deadline!

Recently you may have noticed a slight, erm, scarcity to the level of posts we’ve been penning. Never one to shirk away from our duties, our eyes, hands, ears and, most importantly, taste buds have been kept busy in a different direction, finishing off a book (a proper physical one with paper pages and everything) due out next year and meddling with this wee beast: www.3dwhisky.com 

But here we are again, back in the game and ready to bring you some tasty wee morsels in the lead up to Christmas.

And a bloomin’ good job too as the samples are piling up on our desk here at Caskstrength HQ. So, what better way than to kick this week off with than a new release from Whyte & Mackay.

As I sat down to write this piece, my inbox pinged with news from leading drinks industry fact-mongers Just-Drinks. It informed me (and the rest of the world, too) of what Diageo, now ‘owners’ of Whyte & Mackay, were planning to do with the host of whisky brands acquired since their take over earlier in the year of then Indian-owned United Spirits.


Until everything is confirmed about who the parent company will eventually be in this liquid custody battle, refereed by the Office of Fair Trading, the folk over at W&M have been busy expanding their core range of The Dalmore, adding to the already existing 12, 15, 18, Cigar Malt Reserve and excellent King Alexander III (our personal fav) with a 25 year oldoffering.

We first tried this new release about two week ago when the sample arrived in our office. Dave Broom had popped in to say hello ahead of the annual IWSC dinner where he was to be bestowed with his much deserved Communicator of the Year award (well done, Dave), but we didn’t get a chance to really sit with the whisky, take notes and savour the whole experience, so we were looking forward to a quite time when we could really relax and give this new experssion our full attention.

So what of theliquid? Well, once fresh from the stills, this Dalmore was matured in American white oak casks before being divided into Palomino Finosherry butts and first-fill bourbon casks. Once matured, the whiskies were married together once again into bourbon barrels before finally being transferred into Tawny Port pipes from Portugal.

Quite the international journey for a humble Scottish spirit! It sounds complicated, but nowhere near as complex as the King Alexander, which is a blend of Dalmore matured in French wine casks, Madeira drums, Sherry butts, Marsala barrels, Port pipes and Bourbon barrels. Over complicated? Not in the case of the King Alex, but let’s see how the 25 year old fares...





The Dalmore – 25 Years Old – 3000 bottles only – 42% abv – RRP £600 Available here or here


Nose:Toffee fudge is the first note to rise from the glass, followed by some marzipan and strong bergamot. These orange notes develop in a rich marmalade smothered on hot toast. With a hint of water tropical fruits come through.

Palate:Rich and rounded, the bergamot flavours take the driving seat with burnt sugar, toasted almonds and a hint of black pepper and cinnamon spices on top. Very rich mouthfeel With water the whisky opens up a little to give all the previous flavoured a much more rounded and sweet tone. Personal preference, at the risk of being chastised by The Dalmore’s Richard Paterson himself, is with ever such a small drop of H2O.

Finish:The spices and dried orange peel tingle away at the back, but with water this is rounded off for a more subtle, quite frankly, delicious.


Overall:A unanimous decision here in the Caskstrength office that this is, wait for it, “a really excellent whisky”. A great way to get us back in the swing of things, as we head towards the prime whisky drinking time of Christmas and the New Year.


Blimey... Did That Just Happen?

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Wow, the month has surely shifted on. Only a second ago, we were sitting in our office, enjoying a brace of old blended Scotch whiskies we had won in an auction, lamenting the time it had taken for us to post anything meaningful on Caskstrength. Then suddenly it was the middle of December.  
Take into account two house moves, several hundred whiskies to sell and a lot of other nonsense - and you realise that all of one's good intensions have simply vanished into thin air.

Needless to say, that we return within a month where Scotch whisky has already faced three fairly major discussion points.

The whisky elves wait for a comment from JM  
First up and we find Best PR Campaign Of The Month#1 in full swing. Yes, the vibrant, yet choice words of whisky writer Jim Murray, who this week apparently claimed that Kentucky was producing better whiskies than the ones coming from Scotland, or words to that effect.

Journalists across fleet street were poised over their keyboards looking for the killer headline. Was this the end of Scotland's dominance in the whisky world, its mighty crown lying tarnished amongst some mythical whiffy sherry casks? Or was it simply just a well chosen sentence from the adroit Murray, in an attempt to give some much needed Christmas spice to his latest edition of The Whisky Bible, of which one assumes he has a warehouse-full ready to ship as stocking fillers.   
Either way, people chatted, tongues clacked, keyboards rattled and Twots Twitted, all somewhat having the desired effect, we imagine.  Effortless PR at its very best. 

Seriously, most people who own a bottle of bourbon and a single malt Scotch whisky will be able to tell you that making any comparison between the two is like comparing the sound of a Tuba with that of a Xylophone. Yes, they sit near each other in the whisk(e)y orchestra, both offering wonderful layers of  texture to the symphony of spirits, but singularly, they have vastly different timbres, which is a quality to be celebrated.  We love American whiskey.  Hell, we even awarded a blisteringly youthful single malt from America our Whisk(e)y of the Year last year in the Best in Glass award (this year's is being hosted in January, folks)-  but that doesn't mean that all Scotch is redundant, or that the US is officially producing 'better' whisk(e)y. No, they're producing different whiskies with their own wonderful character. 

It's high time to celebrate the category as a whole, driving success forward, ever challenging boundaries and above all, bringing drinkers together in a way that other spirits can only dream - both men and women (hmm...see our final point below)  

Yes all this is probably sentimental tosh and yes, it is 'just whisky' but clearly, people care and that is good.  
A thoroughly modern Mortlach

Speaking of which, earlier this month, Diageo announced that the Mortlach distillery is to expand its range of whiskies, including two no age statement releases (Rare Old and Special Strength) an 18yo and a 25yo. Alas, the tremendous 16yo is to be discontinued, but for any new Mortlach to see the light of day is truly exciting news.  Mortlach remains a criminally underrated distillery and we're looking forward to trying the new expressions soon.  The Mort, the merrier.  

Finally this week, PR Campaign Of The Month #2... of sorts.  Dewar's, no stranger to courting controversy (earlier this year releasing the questionable Highlander Honey) unveiled its 'Meet The Baron' campaign, where a sturdy, reliable and all-round good egg can be seen selflessly helping various drinkers in perilous situations, such as being chased by rabid dogs and chatted up by a buxom lady.  

Hang On!!  what was that??  Oh yes, the Baron's skills apparently spread to effortlessly intercepting an approaching blonde assailant (a larger lady), allowing the intended 'victim' to hang out instead with a bevy of lingerie models.  

Watch the film twice and we're pretty sure you can just about make out the sound of the hand grenade pin hitting the floor of the marketing department, coupled with anguished flailing executives desperately trying to regain control of the inevitable explosion that is about to occur.  
The Baron, shortly before the 'car crash'-of-an-advert
was pulled

Sure enough, it did. After numerous complaints citing sexism, the video was taken down from Youtube and similar online sources.  But not before nearly 300,000 people had seen the clip.  

Not only does the advert brilliantly slip on its own banana skin, but it highlights how desperate whisky companies are to try and appeal to what they perceive as 'The Drinking Man' (actually the brand's campaign slogan.) What surprises most is the fact that given the firewall levels of market research, focus grouping and other more robust legal checks most sensible companies go through, no one thought that the advert might come across as a poorly put together and outdated piece of 70's thigh slapping nonsense. 

Whoops. 

Like a faint waft of Brut aftershave, the video has now disappeared into the either, so it's unlikely you'll be able to find it.  Don't worry though -  Anchorman 2 is about to come out.  Whammy...

Back on lighter, more enjoyable grounds, we met up with the fantastic Tom Bulleit yesterday and tried his newly released, higher strength Bulleit Rye. We'll explore this later this week, but needless to say, it is excellent.  Now what was Jim Murray saying... ;-)




The Rise Of English Whisky

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Funny old business, whisky making. So steeped in tradition, proud values and time-honoured recipes and practices.  Yet on the other hand, so vibrant, challenging and bubbling with creativity. Well some of it. 

Recently we've seen a massive growth in craft distilling in the US, so much so that to a point, the whole 'craft' thing has somewhat 'Jumped the Shark', (look it up if you're not familiar with this phrase) with a new whisk(e)y seemingly being created every week by a micro distiller.  These 'whiskies' are seldom whisk(e)y but just spirit, rested in oak and fired out the door to try and nail down the spiralling costs that running a distillery presents.  

However some distillers, like the magnificent Balcones, Tuthilltown and Corsair have taken their time, experimented in the right way and diversified their businesses to offer genuinely different products that have captured the attention of a very crowded market place, now gaining international reputations and - importantly, distribution.     

But the same thing hasn't really kicked off here in the UK -  yet. 

Last week saw the very first spirit run from London's newest craft distillery, The London Distillery Company in Battersea, which has been producing a gin for the past year to supplement the business plan of actually creating a new spirit from scratch. Finally, after months of wrangling, HMRC granted LDC a license to distil the first malt spirit in the capital -  the first in over a century, since the Lea Valley Distillery closed in 1910.  

What does this all mean? Well, the precedent has now been set for other would-be distillers to follow suite and similarly create something from scratch. Rather than the dusty, leather-bound rule book being ripped up, it has just been re-published in a handy, wipe clean paperback size, which seems to be a good thing.  

In a little under three years and a day now, we'll be able to clearly see whether the LDC has achieved its objectives and made a single malt whisky as brilliant as that produced by, let's say, Kilchoman on Islay, or more appropriately, St George's in Norfolk especially after such a short time. Until then, let's applaud someone for moving things forward and boldly opening the doors on so many distilling possibilities. 

Of course, an English whisky is nothing new.  As mentioned above, St George's in Norfolk have been distilling successfully since 2006.  Then in 2010 came the Adnams Brewery, who only last week released their very first 'whisky'- two in fact.  

Adnams have taken a great position in the new emerging sphere of English whisky, by applying their brewing prowess (which spans some 140 years) and coupling it with brand new distilling technology. With stills that look like they have been lifted from the pages of a Jules Verne novel, Jonathan Adnams, Head Distiller John McCarthy and his team have already successfully built a formidable distilling reputation with several very creative recipes: Oak aged vodka matured in French oak, Spirit Of Broadside, using the classic Broadside ale and now a brace of 'actual' whiskies:  a traditional single malt matured in French oak and a triple grain, using East Anglian barley, wheat and oats, which is then matured in American oak.

Only 20 casks have been produced in this first batch (dating back to a fill date of November 2010), but the results are impressive indeed -  at least when it comes to the triple grain, which we have been lucky enough to sample.


Adnams -  Triple Grain Whisky  - Three Years Old - 43%

Nose: An initial spirit note gives way after a few seconds in the glass revealing some slightly sweet boiled vegetable notes, vanilla, golden syrup, porridge oats, gingerbread and rich dark chocolate.  It's slightly unusual at first, then the true picture of the recipe comes to life.  

Palate: The malty notes from the nose develop into malted chocolate milkshake, creamy oak, a hint of white pepper and caramelised peaches. The influence of the oats is very noticeable here and the lingering sweet cereal really shifts this up a gear. 

Finish: The malt notes deliver a slightly spicy note as the palate dries, with a return of the oak and the vanilla.  

Overall: Undeniably youthful, but cleverly delivered. This triple grain has balance, emerging complexity and a personality all of its own and we can't wait to see where it develops with more time in cask. If the single malt (which we haven't tried) can replicate this potential, then the category of 'English whisky' is very much alive, full of vitality and growing in stature by the day. The gauntlet has been thrown down to all.  Who will pick it up next? 

Look out next week for a review of The One, the UK's first 'British Whisky'... Intrigued? So are we. 



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